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Greg Verret's avatar

David, a couple reflections on this interesting post of yours.

I discovered James Agee a decade or so ago, because I’d heard "Let Us Now Praise Famous Men" was worth checking out. I found it odd, hard to connect with at first, and then by halfway through I realized I was more connected to the family he was reporting on than to any characters in fiction I could recall. A really stunning way of affecting the (at least this) reader. Certainly, Walker Evans’s photographs assisted. That took me of course into Evans’s work, but also into trying to learn what happened to the family after Agee and Walker’s book. As I recall, it continued to be a hard life in new ways as the century moved on.)

Like you, I followed "…Famous Men" with "Grapes of Wrath." As a fan of Samuel Barber’s work, as well as Agee’s, I’ll make a discontinuous chain/cluster (years later) and check out A Death in the Family as well as Knoxville: Summer of 1915 in both written and musical form. Thanks for the tip!

Elizabeth Hardwick: Lauren Groff reads Hardwick’s story “The Faithful” (which I think is taken from "Sleepless Nights") and discusses Hardwick and the story, on “The New Yorker: Fiction” podcast, August 1 episode. I found it a fascinating story from a craft perspective and a very interesting discussion about the author and her life.

Thanks for sharing your insights, and your encouragements to read!

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Jan Priddy's avatar

Why an interesting way to build a reading list! Start with Things Fall Apart and Half of a Yellow Sun is one way to go (other African authors), but I could chose non-western nationals talking back to European imperialism, or books revealing non-European culture (I'll pitch for Nectar in a Sieve, which I read first as an adolescent and reread recently with pleasure), or books about that period of time or written during the time it was written, or written by authors exploring their own family history.

For that last, nonfiction The Cost of Free Land by Rebecca Clarren explores the history of her Jewish ancestors fleeing Russian pogroms who settle in South Dakota on land stolen from the Lakota people, "examining themes of inheritance, oppression, and the need for reconciliation. The book highlights the personal and national consequences of this legacy and encourages readers to reflect on their own roles in historical injustices." I appreciated it far more than Isabel Wilkerson's book, which made a good movie.

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